Making the second season of any TV show is difficult, but it’s especially hard when the series is already popular. There’s not just the question of whether you’ll fall into a stagnant slump but the added pressure to reach new creative heights. And while I’ve heard some people say that Season 2 of FOX’s excellent comedy Brooklyn Nine-Nine didn’t take any type of big leap forward compared to its first season, I’d argue that’s because Season 1 of the show made Brooklyn one of the best comedies on TV (which it still is today), made smaller, subtler developments throughout this season may have gone unnoticed by some people but had a significant impact on making the series’ second season even better than the first.

Season 2 of the show was mainly focused on exploring and strengthening new friendships between members of the precinct. Brooklyn Nine-Nine‘s first season provided us with plenty of note-worthy moments involving Jake Peralta and Raymond Holt and their many connections with other characters, and those relationships were better explored in Season 2 as well (look at the many episodes dedicated to Jake and Boyle, or Amy and Holt, or Jake and Amy—but more on that last pair in a bit). However, Brooklyn Nine-Nine‘s second season also introduced us to the perplexing and hilarious hookup buddies that were Gina and Boyle; Rosa and Holt hesitantly growing intimate after Rosa began dating his nephew, Marcus; and the phenomenal combination that is Amy and Gina, who actually found some common ground this year and became genuine, authentic, bona fide friends (I could seriously watch Melissa Fumero and Chelsea Peretti hang out and be mistaken for being an ADHD ).

And taking time to focus on these new dynamics didn’t do anything to distort from the already solid foundation that Brooklyn Nine-Nine had built. Terry kept hilariously talking about things he loves (Yogurt especially) while considering his family (whether that meant his wife and kids or the Nine-Nine) first and foremost; Boyle and Rosa’s friendship, which officially began last season after his romantic pursuit of her stopped, only became more solidified, especially in the Season 2 finale when he helps her create the perfect birthday dinner with Marcus; and Jake and Holt’s “father-son” relationship still remained significant, particularly in “Captain Peralta,” when Jake’s real biological father reaches out to his son only to use him for his personal gain. In fact, a lot of the quieter, more emotional moments that Jake had this season was some of (in my opinion), the best-written and best-acted material in Season 2, and these scenes allowed for Andy Samberg, who is an amazing comedic actor, to show off his more serious suspenseful chops, as he dealt with his abandonment issues, his lack of a caring family, and his feelings for Amy.

Overall, this was another amazing season for one TV’s very best comedies, providing us with some emotional payoffs (Holt leaving the precinct and saying goodbye to the people of the Nine-Nine for the time being, Jake and Amy’s first real actual kiss after their two cover ones) and new directions as we head into Season 3.






































